Review: Translations at Sheffield’s Crucible

The best kind of theatre has something important to say – but never allows the message to interfere with the entertainment. Brian Friel is a playwright who has that balance down to a fine art.
A Sheffield Theatres, English Touring Theatre and Rose Theatre Kingston Co-Production
Translations By Brian Friel

The Cast
Cian Barry
Owen
Niall Buggy
Hugh
Paul Cawley
Captain Lancey
John Conroy
Jimmy Jack
Beth Cooke
MÃ?Â(degrees)ire
Hannah James-Scott
Bridget
Roxanna Nic Liam
Sarah
Rory Murphy
Doalty
James Northcote
Yolland
Ciaran O'Brien
Manus

Creatives
James Grieve
Director
Lucy Osborne
Designer
James Farncombe
Lighting Designer
Tom Gibbons
Sound Designer
Anne McNulty
Casting DirectorA Sheffield Theatres, English Touring Theatre and Rose Theatre Kingston Co-Production
Translations By Brian Friel

The Cast
Cian Barry
Owen
Niall Buggy
Hugh
Paul Cawley
Captain Lancey
John Conroy
Jimmy Jack
Beth Cooke
MÃ?Â(degrees)ire
Hannah James-Scott
Bridget
Roxanna Nic Liam
Sarah
Rory Murphy
Doalty
James Northcote
Yolland
Ciaran O'Brien
Manus

Creatives
James Grieve
Director
Lucy Osborne
Designer
James Farncombe
Lighting Designer
Tom Gibbons
Sound Designer
Anne McNulty
Casting Director
A Sheffield Theatres, English Touring Theatre and Rose Theatre Kingston Co-Production Translations By Brian Friel The Cast Cian Barry Owen Niall Buggy Hugh Paul Cawley Captain Lancey John Conroy Jimmy Jack Beth Cooke MÃ?Â(degrees)ire Hannah James-Scott Bridget Roxanna Nic Liam Sarah Rory Murphy Doalty James Northcote Yolland Ciaran O'Brien Manus Creatives James Grieve Director Lucy Osborne Designer James Farncombe Lighting Designer Tom Gibbons Sound Designer Anne McNulty Casting Director

Sheffield Theatres are presenting a season of three of his plays over the next few weeks, beginning with Translations, which runs at the Crucible until March 8.

It’s a play with several themes: the power of language and communication and how words can mislead; the use and misuse of political and military power; the relative value of one culture over another. And if it all sounds rather heavyweight, don’t be alarmed; it explores them all via a story which held the first night audience enthralled, and an ensemble cast of engaging characters no one can fail to warm to.

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As well as a tale of conflict and misunderstanding between 19th century rural Irish and the incoming English army, which begins in sunshine and comedy and grows steadily darker, there’s also exuberant dance and romance, and an emotional rollercoaster which veers through joy, despair, love, loathing, fear, jealousy and old-fashioned fun.

It’s the kind of theatre that makes you laugh and cry, and, above all, makes you think.

LYNNE PATRICK